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Although the splintered people groups are visually distinct, there is little emphasis on these differences. What is required is a change of heart and a growth of character. Disunity and a lack of trust are not merely the result of insufficient knowledge but are the result of a flawed and broken human nature.
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Raya diagnoses a different root cause, and therefore offers a different solution. Thus, education and increased awareness are prescribed as the antidote for disunity. The characters are initially skeptical of the unknown “other”, until they learn over the course of their adventure that they are actually more similar than they realized. In most films, the lack of unity is the product of ignorance. The theme of unity is certainly not a novel one in recent years, but I found the approach Raya and the Last Dragon takes to be unique and more mature. This theme weaves throughout the entire film, often explicitly, but rarely in a pound-you-over-the-head sermonizing way. Also, it’s got dragons, so that doesn’t hurt either.īeneath the surface of the magic, dragons, and ninja warfare, is an important lesson on the importance of unity and trust.
#RAYA THE LAST DRAGON MOVIE MOVIE#
The central theme of the movie is trust (see below), and Raya and the Last Dragon demonstrates that it trusts younger audiences to handle more than slapstick and poop jokes. What it lacks in these areas, though, it makes up for in depth and artistry.
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It lacks some of the quirkiness and energy that typically captivates kids. Even so, I’m not sure that this film is destined to be a classic with endless replay value. In the end, this is a great film that sadly will probably fly under the radar due to COVID and its staggered, non-traditional release. The result is a far more mature story than the typical non-Pixar animated flare. They all have admirable qualities and vices but are not defined or governed by any single characteristic. Perhaps the best way to describe the characters is that they are deeply human.
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The characters are also flawed, but rarely in easy to pin-point ways. The characters are endearing, but never demanding of attention. Instead, the humor emerges from the relationships and the clever banter. There are no loud and shouting characters, grating voices, or attempts at cheap potty humor. Each character is nuanced, believable (relatively speaking), and relatable. Perhaps the film’s greatest strength is its characters. This film is firmly in that later category. In 2021, most high-budget animated films are well-animated, but only a few genuinely feel like a work of art. The film is bursting with fresh and innovative ideas, including several sequences that adopt a more classical 2-D style to great effect. The landscape shots of the dystopian, plague-infested world are particularly gorgeous and filled with visual interest and intrigue. This film has several elements working in its favor. When tensions escalate, the gem is shattered, the Drunn return, and it is up to princess Raya to locate the mythical last dragon and restore peace to the land. Despite the defeat of the Drunn, the people soon fight over possession of the magic gem. When a plague of evil spirits called the Drunn attack (stealing souls and turning everyone into stone), the dragons must sacrifice themselves by concentrating all their magic into a gem. The story takes place in a land called Kumandra where humans and dragons live in prosperous harmony. This is an excellent film that can be enjoyed by all ages. And unlike many recent films, it did not disappoint. This film had me at the word “dragon.” With a love of dragons that runs deeper than a man of my age should probably admit publicly, I’ve been looking forward to Raya and the Last Dragon since the release of the first teaser trailer.